India holds a prominent place in the folk art of every province. Folk dances are a triune confluence of simple, instinctive music, instruments and dances of folk life.
Tribe: Music and Dance:
Music and dance are very important in the folk society. These two can be called integral parts of their lives. Music and dance are the only means of entertainment or pleasure in remote places. On many religious and social occasions, men, women and children of the tribes living in the villages come together and organize music and dance. It is their social constitution that promotes their music and dance. Equality between men and women has increased the importance of their music and dance. Men and women engage equally in the home, on the farm, in the woods and at the dance floor. The dance venue was not only a place for dance training and entertainment, but also a place of entertainment where lovers between men and women kept erupting and the folk society recognized it. Thus associated with dances, love, war and religious beliefs. The people of the tribe used to forget their misfortunes, life struggles and poverty for a while through music and dance and a sense of discipline, organization and unity was created in them. Thus, many social and religious festivals have made an important contribution in keeping the music and dance alive among the people. In general, the social status of women is found to be high in the tribe, as a result of which they participate in dances and songs along with men. Sometimes it even becomes the center of attraction.
In short, the place of music and dance has always been special and important even as part of their social system.
Form of folk dance:
Folk dance is actually a natural dance. Wherever there is a moment of emotion in folk life, the form of some kind of dance suits him. In these dances, art is inherent, but there is no consciousness of being artistic. Thus, this dance is as powerful in primitive and wild species as it is in other species. This does not mean that there are folk dances in other regions or castes. Member castes also have a degree of folklore, so in extraordinary moments of their lives, such folk dances as a result of tradition emerge, but they are not so powerful and are endowed with a lot of research. The subject of folk dances is the life-cycle. Sexual signs, agriculture and procreation, exorcism, sorcery, seasons, marriage, birth and death are all manifested in dance in some form or another through sign postures or symbols. Folk dances are usually collective, but can also be individual. Due to its close relationship with life and nature forms of folk dances suit any class of business is done. The dance of the peasants is different from that of the herdsmen and the dance of the ahiros is somewhat different. Folk dance is born out of the processes of the three desires – the gesture of getting attractive – the gesture of avoiding the unattractive, and for these gestures, in the form of tona (tratak), every dance is danced for a cloud year in some form or another. There is also dancing to prevent excessive years. To please the gods, to invoke the deity in the body, dances are performed for the good of the crop. There is a ritual with such dances. There is also a statement of ceremonial dance on the occasion of marriage. The arrogance of folk dance is presented by disciplining and tying it to principles that place its impulses on a level of aesthetics in terms of opinion. Folk dance of any such artificial principle
Does not accept boundaries. Dancing is an instinctive reaction of the animal. At the end of the primordial stage, human beings started dancing individually and collectively from 40 to 4000 years BC. It was a spontaneous type of dance. Dance is considered to be the giver of wealth, fame, longevity, paradise, the luxury of great people, the pain of the afflicted, the preacher, the benefactor of women, the pacifier, the reassuring and the accomplishment of work. Nartan always depends on the geographical, social, political and religious situation of the region. People’s life practices, rites, culture, peculiarities, traditions and the effect of custom falls on dance. Dancing is a typical part of society. Nartan combines both visual and auditory elements. The choreography is directly related to the presentation.
Types of dance:
The scriptures call dance “dance and dance wound theory” in the three sections of dance, dance and drama described.
Tal Pradhan Nritya means dance? In which there is only movement, disability and which is forbidden by any kind of price and acting. It is called a dance. Jatra valopmatra tu samanavargat angikokat nritta nrittavido vidum. (Sujit 82) Moreover, the dance Tanashvam (Dashrupakam) dance is only based on rhythm and rhythm. The dance consists only of hand clapping and foot gestures following the rhythm and beat of the song. A rhythmic dance without posture, price or acting is a ‘circle’. It is the process of going to the market to shake hands and feet which cannot stop the strong pleasure of distance in the feeling of joy. It has no systematic acting or classical method. Dance has been practiced independently and absolutely since time immemorial. It is included in ‘Desi’. We call this dance folk dance given the noun. Folk dance is the dance of the Bahujan Samaj of folk life. Is it popular folk dance prevalent in different levels of the general public?
Khalil told Jibra: “The soul of the singer is in his throat. In the painter’s brush or in his fingers, in the poet’s brain too, the soul of the dancer or the dancer is in his limbs. ” Taking a circular dance dissolves the thoughts of the dancer’s brain, only his energy remains, so the realization of deep meditation is felt. The circle is a symbol of perfection. Pradakshina is a symbol of the universe, so circular dancing is considered a tool of spirituality. Even from a compound point of view, it is perfectly reasonable. You can bring as much momentum as you want in a sphere. In a circle, everyone in Vandani can have a relationship with others. A complete darshan of each dancer can be done in a circle. Rounders are especially comfortable with dancers, both physically and mentally. The practice of circular dancing is believed to have imitated the rotation of the galaxy around the earth. “
Folk dance is a performing art that is fully connected with folklore. It originates, develops and is protected by the people, and is independent in both folk songs and instruments.
Is a folk dance that expresses the joy, exhilaration, faith, love, devotion of the people through dance. Thus, folk dance tends towards self-entertainment, not entertainment.
Popular folk dance is popularly known as folk dance. This folk dance is considered to be the primary form of choreography. Which was prevalent among the surveyed species of the world. In ancient times to avoid violent beasts Humans also have to live in groups to protect themselves from other species or in the event of a natural disaster, so the form of their choreography is also mainly collective. Dancing is an indispensable organ in warfare training to generate passion and maintain strength. When fighting with a stick, sword, spear, arrow, dagger, spear or mace, you have to cover the front and back of the body to heal the wound, to heal the wound, to protect against the wound and to balance the body proportionately, to maintain the balance of the limbs. Only if the limbs of a certain degree, the increasing and decreasing proportions of the steps, the increasing and decreasing speed, the speed and the scurrilously are maintained, the expected strikes can be made on the battle front, can be snatched and victory can be achieved. In some commas, the legacy of kshatriya comes from the clan tradition and is therefore derived from the original folk tradition of folk dance. From time immemorial, humankind has not survived without folk dance. Dancers were enough to melt the fatigue of toil. For dances it is said that dances are the result of the emergence of emotions and urmi and the expression of joy. –
Features of folk dance:
There are four important areas of folklore: oral literature, material folklore, social folk customs and performing arts. Through the folk art performed or performed, we believe that traditional music, dance and drama, folk song and
The narration of the story can undoubtedly be described as a direct presentation or performance, but as Dorson puts it, “they are more casual in nature than the conscious presentation or these arts by groups of individuals with folk instruments, dance, costumes, scenario props.”
That is to say, such direct performances or performances, either individually or collectively through folk dances, folk dances, folk costumes and other visual devices, are of an informally intuitive nature as folklore. Its representation is not as deliberate as the art,
Types of folk dance:
The choreography of folk dances, costumes, ornaments, postures, dialects of songs sung and their expressions, instruments (materials) played by hand or on the head or tied to the appendages of the body, etc. are based on geographical, environmental, social, cultural and historical Based on folklore. For these reasons, even though the folklife in Gujarat is similar, there is a difference or uniqueness in its art expression. Thus, folk dance is usually a philosophy of social life (a way of life or a way of seeing and experiencing life), not a performance. The first form of development of folk dance type is Adinritya.