Raas word ‘Devkinandan is also Kanaiya’. Java is a polymorphic sam and Maa, Kasha and Rasa have become synonymous with each other. That is why Madhav Muralip is called Raseshwar. !
For the villagers of Rasagra Saurashtra, the light night has become an invaluable joy. Singing Krishna’s songs, in these rasadas, the maneuver and mind-boggling of a woman’s heart rises, the flow of happiness and sorrow flows, the struggles of human beings descend, and so on. The only snake to freely express the impulses of women #daya – this rasada! “
Ras-origin; Terminology; Format:
We all know that there are many types of dance, the two most widespread types of Pann dance; The dance associated with Lord Shankara is associated with “Thandava” and Parvati if we want to think only about the dance “Laasya”, separating Shankara and Krishna, it can be said that the dance which reveals Raudra Bhava is the lasya which expresses Tandava and Jai Ramya in an elegant way.
Krishna is known as Raseshwar, just as Shankara is known as Nataraja in the Apakshi Purana. Ras is the most ancient form of mass folk dance. Due to grace, the element of devotion and curiosity is associated with it, but the small joys of his life are also woven into the secret life.
There is no basic consensus on what is first in Ras and Garba. In general, most scholars are led to believe that because of its association with Rasa Krishna and its mention in Harivansh or Bhasa, Carle could not be said to be the oldest form of khapana.
In Sanskrit, the word naat is used for dance, pashini me rasyo: abhed 255 tethi hasya 52 las 25 5
TI became the word. Shridhar Swami has written that, rtorigi re Naam bahunartaki yukto nrityaviseshasta kitam. Interdependence: Suspicion is the same. नटे गृहित कंठानामन्यान्या ताकरभिषम्। Dancers Bhavedvaso Mandanibhuya Nartanam. Iti TR Panan! Raas is a special type of krish that dances with many nuts and dancers, circular purm and joining hands with each other.
Rasana Samuho Raas: (N. V. 2a) 2 waves are made, the name of the wave of Rasa is Rasa, Rasa means Divine Rasa (Large Gujarati Kosh Khand II)
Ras is a noun word. Hallisak is originally the word rye. The word money is as old as Kavi Bhas. While the word rasa is as old as Vishnupurana, these two are dance, nutyavachak words for Lord Krishna’s vihara with Gaush girls. The gear compositions introduced in the ba dance dance got the nouns ‘ras’, garbi, garbi. Poet Nanalal gave rasa sangat to a small composition, Dr. That. Ka. Shastri, letter)
Scholars have also speculated on the etymology of the word Rose. Raas is a type of lyrical verse form, as well as a type of lyrical choreography. When the consciousness in the human body is expressed, it appears as the movement of the body. The movement is expressed in rhythm when it is rhythmic, rhythmic, and rhythmic. Raas has an auspicious combination of dance and literature, its forms are gradually changing. As in every Kalam, the life rites of the groups playing Pann Raas have descended in Rasanartan.
In ‘Harivansh’ it is described as ‘Hallisak Kidan’, in the chapter titled ‘Chhalikpakrida’ it is described that Mr. Mulu took Besi Lipi, and Mridang and took another plant of other gopas, this group is not Chi with song and dance. From the folk dance of Gujarat performed by Vinna Narde with a fixed span, the group song dance is referred to as ‘Hallisak’.
In Harivansh, there are two types of hallisak: a group dance of Lord Krishna and a group of men and women playing round in the middle of the gopis.
Thinking from the point of view of Saurashtra, Ras, Rasado, Garba, and Garbi are different types, their songs are also different. The tradition of this race goes back to Saurashtra. In Yadava, there were two types of hullis or dances. This type of water worm also on the beach
Chhaliyagan thatu, Vrishni and the memories of the Satvat clan belong to Saurashtra. This beach is from Dwarka to Prabhas (Somnath). Thus Halliske dance was popular on auspicious occasions, religious occasions and during water sports. Hallisakra is a dance given by Natwar Kruna.
Dance-type of Hallisak:
Gopalokanam Sports Type: 200% is first mentioned in ‘Harivansh’. Dandarasak, Salarasak and Lalit Rasak are described in ‘Dallisak’s dance types Harivansh’. Danda rasa te dandiyaras, talarasak means male and female group ras singing with three beats or rasa and with beautiful vaishparishan, manglik prices at the same time, the prostitutes who dance to the beat of the hand clap are round, both Lalit Raas, Dandarasak and Talrasak.
The chorus is song-and-dance. The symbol of one is dand-dandiya and the symbol of the other is kartal i.e. clapping. In one, Shri Krishna plays the flute and the gopis dance the song. In the second, women and men dance in groups. The third type consists of one male and one female. In it, they hold hands and hold each other’s hands and sing round songs. Krishnalila’s songs were sung during this circular chanting. The hallisak given by Lord Krishna is the Aryan song-and-dance tradition to be believed.
hallsak and Lasya :
If we consider Dandarasak and Talrasak to be the same types of Hallisak, there is no difference, but going forward, there are two differences between Hallisak and Rasak and Rasak or Lasya. Should. The type of lasya is first mentioned in Nandikeshwarji’s (Bharatmuni’s contemporary predecessor) acting mirror as to where the fusion between the hallsak and lasya, which are considered to be different today, came from. –
Parvati twanushasti sm lasyaan baatatamajamam. And Dvaravati Gopyastabhi: Saurashtrayot:. Tabhistu apprenticeship naryo nanajanapadarupada:. And received the tradition
Parvati taught lasya to Usha, daughter of Banasur, Usha taught gopis of Dwarka and gopis of Dwarka taught women of Saurashtra. The women of Saurashtra taught the women living in different countries and thus the traditional lasya dance became prestigious among the masses.
Usha, the daughter of Anarya Banasur, adopted the daughters of Aryan Anaryas during the Yadava period, also adopting their religion and art. With this Usha, Lasya type came to Saurashtra and spread.
Manipuri sacrament of Arjuna:
A third stream is also found in it, just as Usha’s lasya is mixed in Krishna’s Hallisak and a triveni confluence of song and dance is formed.
Arjuna had to go on a twelve-year pilgrimage to atone for breaking the seclusion of Yudhisthira and Draupadi. In the state of Manipur, he married Chitrangada, the king’s daughter. During his three-year stay, Manipuri dance-music influenced his art culture. Arjuna goes to Prabhas by sea, meets Krishna, Subhadra deer and Abhimanyu are born.
Staying with Indra during the pilgrimage, Chitrarath learns songs, instruments and dances from Gandharva, which is useful in teaching music and dance to Virat’s daughter Uttara during his sojourn in Viratnagar. Arjuna returns to Godhan of Virat Raja. The king is pleased and asks to accept Uttara, but Uttara’s guru Arjuna considers Uttara as his daughter and marries her to his son and Krishna’s grandson Abhimanyu. Uttara came to Dwarka and spent the rest of his life in Dwarka.
Thus, Krishna’s Hallisak harmonizes with Usha’s lasya, Arjuna Uttara’s Gandharva song-dance and Manipuri dance. In Saurashtra, song, music and dance are rich in such mythological rituals. “